Total Pageviews

Sharing is Caring....

Monday, February 20, 2012

Suryakantam - 17th Melakarta rāgam

Before continue reading, be aware about Suryakantam Raga , by listening....




Suryakantam or Suryakantham (pronounced sūryakāntam, Sanskrit: सूर्यकांतम्, Kannada: ಸೂರ್ಯಕಾಂತ, Telugu: సూర్యకాంతం, Tamil: சூர்யகாந்தம்) is arāgam in Carnatic music (musical scale of South Indian classical music). 
It is the 17th melakarta rāgam (parent scale) in the 72 melakarta rāgam system of Carnatic music. It is called Chāyāvati in Muthuswami Dikshitar school of Carnatic music.

Structure and Lakshana:

It is the 5th rāgam in the 3rd chakra Agni. The mnemonic name is Agni-Ma. The mnemonic phrase is sa ra gu ma pa dhi nu.Its ārohaṇa-avarohaṇastructure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):

ārohaṇa: S R1 G3 M1 P D2 N3 S
avarohaṇa: S N3 D2 P M1 G3 R1 S

This scale uses the swaras, shuddha rishabham, antara gandharam, shuddha madhyamam, chathusruthi dhaivatham and kakali nishadham. As it is amelakarta rāgam, by definition it is a sampoorṇa rāgam (has all seven notes in ascending and descending scale). It is the shuddha madhyamam equivalent of Gamanashrama, which is the 53rd melakarta scale.

Asampurna Melakarta:

Chāyāvati is the 17th Melakarta in the original list compiled by Venkatamakhin. The notes used in the scale are the same, but the actual ascending scale is different, where-in the panchamam is not used.
ārohaṇa: S R1 G3 M1 D2 N3 S'
avarohaṇa: S N3 D2 P M1 G3 R1 S

Janya rāgams:

Suryakantam has many janya rāgams (derived scales) associated with it, of which Vasanta, Sowrashtram and Bhairavam are popular in concerts.

17 Sooryakāntam
S R1 G3 M1 P D2 N3 S
S N3 D2 P M1 G3 R1 S
Chāyāvathi
S R1 G3 M1 D2 N3 S
S N3 D2 P M1 G3 R1 S
Bhairavam
S R1 G3 M1 P D2 N3 S
S D2 P M1 G3 R1 S
Haridarpa
S R1 G3 M1 P D2 N3 S
S D2 P M1 R1 S
Jayasamvardhani
S G3 M1 P D2 N3 S
S N3 P M1 G3 R1 S
Jeevantikā
S R1 M1 P D2 N3 S
S N3 D2 P M1 R1 S
Kusumamāruta
S M1 P D2 N3 S
S N3 D2 P M1 G3 R1 G3 M1 S
Nāgachooāmani
S R1 G3 M1 P D2 S
S D2 N2 D2 P M1 G3 M1 R2 S
Rohini
S R1 G2 M1 M2 D2 N2 S
S N2 D2 M2 M1 G2 R1 S
Sāmakannada
S R2 M1 G2 M1 P D2 N3 S
S N3 D2 P M1 R1 S
Sowrāshtram
S R1 G3 M1 P M1 D2 N3 S
S N3 D2 N2 D2 P M1 G3 R1 S
Suddha Gowla
S R1 M1 P N3 S
S N3 P M1 R1 S
Supradeepam
S R1 M1 P D2 N3 S
S N3 D2 P M1 G3 M1 R1 S
Vasanthā
S M1 G3 M1 D2 N3 S
S N3 D2 M1 G3 R1 S

Related rāgams:

Suryakantam's notes when shifted using Graha bhedam, yields 2 melakarta rāgams, namely Senavati and Latangi. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāgam.
RāgamMela #CDEFGABCDEF
Sooryakantam17SR1G3M1PD2N3S'R1'G3'M1'
Senavati07SR1G2M1PD1N1S'
Latangi63SR2G2M2PD1N3S'

Compositions:

Will come soon....

No comments: